Surprise Lily

Lily 7 1/2

Normally by now I’d have figured out what the hell was going on at the museum, but since this isn’t going to be a book, I can just keep noodling around. Why can’t you just noodle around for a book? Because one of the many reasons people read fiction is to get a tidier version of reality. A book that just meanders, listening to people talk, gets annoying very quickly. This stuff is starting to annoy, especially since every scene with Seb in it has the same damn dialogue–Structure Rule #47 You Cannot Arc What You Do Not Know–but I’m getting the impression that you’re reading these more as short stories than pieces of a novel, so that’s good.

Still, I am feeling the need to put some grit in the oyster, so to speak, so when a new character showed up out of nowhere, I noodled. (more…)

Lily 7

Wow. Seven weeks we’ve been working on this. Still no clear conflict, and I have no idea what the hell Seb is up to. Except it’s about that ax.

Chekhov’s ax.

Sigh.

Here. Have some romance.

(more…)

Lily 6 Notes

So remember that brilliant idea (really more of a realization) I had going to McD’s for a Big Mac? It’s this:

Lily has a Five Man Band: Lily, Fin, Bjorn, Van, and Cheryl.


(For those of you who aren’t familiar with the Five Man Band concept, it’s on TV Tropes, but

WARNING WARNING WARNING WARNING WARNING WARNING
That site is a trap, you will be drawn into its infinite links and it will take you hours to escape. I mean, you’ll have a really good time, but the damn thing will suck out your brains and steal a huge chunk of your life. You have been warned. (more…)

Working Wednesday, April 29, 2020

I got so hungry for normal yesterday that I went out for a Big Mac. I’m not a huge fan of Big Macs, but I just wanted to go through a drive-through and get a burger and fries like a normal small-town person who was too lazy to cook. Which meant I had to get in the car and drive into town, and it was a gorgeous day, really stunning with the sun and all the new green and balmy breezes, just Edenic. And because I was driving and happy and about to go face down in fat and protein, I relaxed and my mind wandered back to Lily and scenes started going through my head, bits and pieces, so much fun and then something occurred to me and I almost drove off the road. (I’ll talk about it on Friday in the Lily 6 notes.). I was so enthused I put a chocolate shake on the McD’s order, which knocked me off my socks–not supposed to have that much sugar–and I fell into a really deep sleep and had this incredibly detailed dream that gave me the end of Lily. None of the details or the hard work, you understand, I just know what happens at the end. It even fits in the whole “taking care” theme. I’m pretty sure the Girls ordered that milkshake. Also, I may be a genius.

So this week I worked by going to McDonald’s. What did you do?

Lily 6

Six weeks into Lily and I still don’t know what the central conflict is. I know some of Lily’s troubles, but trouble is not conflict.

That’s okay, this isn’t a book. (more…)

Lily 5 Notes

One of the things that’s really hard about discovery drafts is that they’re what Anne Lamott called “shitty first drafts.” The first time I write a scene, it’s lousy. That’s because I don’t know what it’s about until I see it. I can recognize that its repetitive, that there’s no conflict arc, that the characters don’t change, but I can’t fix it until I write it, almost always badly. Nora Roberts said that she can fix a bad page, but she can’t fix a blank page, and that’s where the discovery draft comes in.

Of course with Lily, there’s no pressure because I’m just writing what interests me, not trying to make a whole book. I do love these characters and that diner, but I have no idea what this is about, and I’ll never have to know because it’s just for Argh. So when I left the Seb-fights-with-Lily scene as boring as it was, I did that because there was nothing fun in it, it was just me exploring that relationship and giving Cheryl a cleaver. I love Cheryl with the cleaver. Seb, not so much.

What did interest me was the Fin-ordering-Lily-outside scene. I really liked that for several reasons. (more…)

About the Author

Jennifer Crusie is the New York TimesUSA Today, and Publisher’s Weekly bestselling author and co-author of twenty-three novels, one book of literary criticism, miscellaneous articles, essays, novellas, and short stories, and the editor of three essay anthologies. She lives in a cottage in Pennsylvania, where she often stares at the ceiling and counts her blessings.

Find out more about Jenny’s published works by visiting JennyCrusie.com

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