I’ve been on a writing wonk tear recently. I had two books going at once, and both were blocked, so I threw myself into good TV, trying to find a different way into story and ended up with a third book because I’ve become so fascinated by episodic storytelling. I’ve been taking apart everything I’ve been watching, trying to see how it works or doesn’t work, and there are several series I’ve been particularly fascinated by because of the choices their showrunners make, good and bad. I’ve learned a lot from Sherlock, Life on Mars, and Person of Interest among others, but the show that has reawakened my old zest for storytelling is an over-the-top superhero series that I started watching because I was stuck in a rental house and losing my mind. It took me a couple of episodes to notice what the writers were doing on Arrow, but once I wrapped my mind around it, I realized that there was a lot the show could teach me if I was just open to it. If I had to use one word to describe the showrunners and writers behind Arrow, it would be “fearless.” Also, possibly “drunk,” because these people will go anywhere. Continue reading
K M Fawcett asked:
I’d love some insight on writing a series of books. Especially POVs in them. I’m on Book 3 now of my sci-fi/ fantasy romance and this is the 3rd couple I’m writing. However, couples from the first 2 books are intertwined in the story as some are related to each other. I want to give them some POV scenes too but not sure if that takes away from the main romance. I’m not sure how to handle writing it. Would that other couple have to be a sub plot that runs through the story? Do I only keep it in this hero/heroine’s POV? I guess the question is how best to handle multiple POVs in a series. Also perhaps how much back story is appropriate to include so that new readers can follow along and old readers don’t get bored. Thanks!
First meets are crucial in making a romance plot work, and an excellent example of a successful first-meet scene comes from a non-romantic interaction on the TV show, Arrow, done in one minute and two beats. Continue reading
Robin just put a thought-provoking post on the Bad Mother in romance fiction over at Romancing the Blog, and I was writing a comment on it that went way too long and rambled. So I came back here to take the time and space to figure this out rather than sound like an idiot in her comments. You really need to read Robin’s post in its entirety but here’s her central question:
. . . is it a bit odd how many bad mothers there are in a genre that so strongly validates and celebrates domesticity and fertility? Or is that exactly the point?