I used to get asked about collaborating all the time, mainly, “How do you do that?” My answer was, “It’s complicated.” It’s still complicated, but since people are going to ask . . .
(1) The first thing I recommend is that each collaborator pick a character and write that. That approach has never failed me in any of my collaborations. It emphasizes the power of voice to make a character come alive and since writers have different voices, it’s a no-brainer for variety in the narrative. It also cuts down on collaborator conflict since you’ve got your own character and subplots to explore. It’s not so much “you stay in your lane and I’ll stay in mine,” as it is “this is your part of the story and this is mine, and we’ll visit each other.” Think of it as writers with benefits, the benefit being that you don’t have to write the whole damn book. Also, it’s really a lot of fun seeing what the other writer comes up with, reading new stuff in a story you’re writing. Writing is a lonely business, collaborating is not. Continue reading