Questionable: How Do You Show What the PoV Character Doesn’t See?

Sarah asked:
My question is about how to write a book in one PoV only, while still implying someone else’s PoV.   I’ve seen it done (clumsily, I think) in many many books: the PoV MC will say something off-hand to a potential lover (John) and the author writes, “John paused for a moment before replying, as if her remark had hurt him.” That seems to me to be cheating: the PoV MC is meant to be oblivious of John’s real feelings at this point, but the author shows us the card anyway. How blatant do I need to be in using the PoV MC to reveal someone else’s feelings? I know I need to a bit, but I’m struggling between clumsy (as above) and so subtle no one else gets it. 

S

Unless you’re writing in third omniscient, you only get one point of view, no implying others. So let’s review PoV first, then I’ll answer your specific question. There are four PoVs to choose from: first person, second person (don’t pick that one), third person omniscient and third person limited.

Continue reading
0