The Twelve Days of Anna: Day Seven: Sex
When elderly romance writers get together (that would be me and my friends) we occasionally talk about sex scenes. My, how times have changed. I wrote a book once called Welcome to Temptation, and I used to get questions all the time asking if my editor had objected to such explicit sex scenes (no) and if I had any regrets about being so cutting edge (no, because I wasn’t, some other writers who’d come before me–Rosemary Rogers, Beatrice Small-made me look like a nun). Now, of course, Welcome to Temptation is considered tame, almost closed door romance. I didn’t think anything of the sex scenes I’d written back then because they were never about the sex, they were always about how the characters changed, how the relationship changed. I have two scenes I’m particularly proud of in other books: the bad sex Tilda and Davy have the first time because they haven’t really connected yet and the angry sex that Agnes has with Shane because she really wants to kill somebody and he won’t let her. I think they really nailed the characters–possible inappropriate use of verb there–and the fact that the action in the scene is pretty vanilla doesn’t bother me because the emotions aren’t.
But now we’re in a new era (again, we’re in a new era every ten years or so, I just watch them go by) and explicit and frequent sex scenes seem to be the norm. And I’m okay with that if I don’t have to write them. Or, in a lot of cases, read them because a lot of them seem to be devoid of character. (Old lady yells, “Get off of my sex scene lawn!”). It’s not the explicit stuff that makes me start turning pages looking for story, it’s the lack of specific character and specific emotional arc. I just want somebody to throw a lamp. (Okay, I like that one, too.)
So now I’m at the Anna/Nate one-night stand which some of you may remember from five years ago (six?). The scenes I wrote just for fun. Well, the fun’s over and now I have to make those scenes matter in plot, emotion, and character arc. You know. Work. Which means confronting the big questions: (more…)

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