This is a Good Book Thursday: Audience
Now that my brain is still back in place and I’m writing and rewriting, I’m starting to think more about things like audience. In particular, what the difference is between pandering to your audience (all those damn tropes) and serving them. Because let’s face it, writing and reading are collaborative acts (even without Bob). What I write, you add your own assumptions, dreams, taste, and needs to. It’s part of the reason why I try to leave so much white space in the narrative. If I describe every character down to the freckles, that doesn’t leave you any room to design your own version. So I don’t dwell in description, which came back to bite me now as I rewrite “Getting Carter” because I keep forgetting whether Nadine is blonde or dark. I think she’s blonde, I think she had on a dark wig once, but I am still not completely sure. The first time I ran into this was back on my first novel, Manhunting. For some reason, I gave the hero, Jake, a mustache. And then got several letters from fans that started, “In my version of Manhunting, Jake doesn’t have a mustache.” Yeah, won’t do that again.
And then I hit this in an essay by Adam Gopnik in The New Yorker on musical theater: That regular audience is theatre’s condition of existence. Great art can emerge from a garden cottage in Massachusetts or a madhouse in the South of France and find its audience generations later. Theatre needs its audience tonight. Even the highest tragedies, from “King Lear” to “Death of a Salesman,” must first of all offer their customers the prospect of a nice night out. Even as common rituals dwindle, the shared passion persists: people still want that night out. The show must go on because someone wants to see it.”
And I thought, “That’s fiction, too.” Readers want that night out, they just cast in the terms of a comfortable seat, a tasty beverage, possibly a snack, and a story that delivers. And the people who write fiction need that audience, need to make sure they have that night off from the real world, and then probably to find somebody to talk about it, call up the Good Parts, bemoan where the author went off the rails, and just generally revisit that experience again. People call reading solitary, and it isn’t. You’re never alone in a book, the author is always right there beside you.
So what did you read with the author beside you this week?
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