Yes, of course I’m working on a new book. Several in fact.. None of these is done. Therefore, none of these is available for presale. But HUGE potential, just HUGE.
The Devil in Nita Dodd
Detective Nita Dodd suspects Nick Giordano is a con man when he claims to be (a) the Devil Elect and (b) dead. But when things she never believed were real start coming out of the woodwork, she’s forced to turn to the Devil she knows.
Drafting the First Scene
The First Act: Discovery Drafts
The First Act: Truck Draft
The First Act: Paper Edit
Zo White’s living a precarious life in New Riven City in the early twentieth century, trying to keep out of trouble the five orphaned children she was put in charge of when they were evicted from the Mothers of Mercy orphanage for being dangerously strange, and she was asked to leave the Mothers of Mercy for not being maternal or merciful. When the Orphants break into a powerful politician’s house, Zo meets Xavier Fenris (call him Ecks), a cop with a heart of steel, which seems to be melting at the edges when he’s around her. Then there’s Ecks’s partner Wyland (call him Wy), who runs into trouble when he investigates a woman named Petal who turns men into frogs when they kiss her. Add in Ylva, the stepmother trying to kill Zo; the secret cult taking out princesses like Pet; Eck’s nephew Harry, a brand new copper who hasn’t learned not to hit the bad guys yet; a house haunted by steampunk beasts who are NOT HAPPY; and the Orphants being the Orphants—Doc, Roseret, Owl, Gleep, and Kitsa—and you have Paradise Park, two love stories with magic, murder, and mechanical bats.
Discovery Draft of first two scenes of “Zo White and the Five Orphants.”
Discovery Draft of first two scenes of “Hansel and Gleep.”
Discovery Draft of first two scenes of “The Frog Principle.”
Six years have passed since the events of Paradise Park, and Zo and the others are still living in the bad part of New Riven City, but Cat Gilchrist lives on Monday Street, the bad part of the bad part of New Riven City, surrounded by murderers and thieves (she’s the second-best pickpocket in New Riven). She runs the restaurant, Maggie’s Ear, for her foster mother as she tries to save the various and sundry people who are part of her life. That does not include Harry, the local crime boss’s newest thug, even though he’s kind of attractive if you like them big and murderous, which Cat does not, and besides she has her own problems because some idiot is digging up the crypt in the abandoned church where she’s living and the magic that was trapped down there is rising, and now she has to deal with air fish and her pet raven, Edwin, talking to her. Add in the newest waitress at the Ear, the slightly surly, definitely magic Keely; and the head of the Department of Extraordinary Complaints, the slight sinister, definitely suspicious Rafe, and Cat has her hands full. Then something besides magic begins to rise in the church . . .
Discovery Draft of first two scenes
Alice (from Maybe This Time) is now a thirty-something, lepidopterist by day and a reluctant ghost expert at night, at least the night the book opens when her attempts to dissuade a credulous client into holding a séance with her old friend, Isolde, are hampered by a guy named Ethan who stops by to protect the old lady from the probably-crooked mediums. If that’s not enough, a parapsychologist wants to buy Archer House, Alice’s ancestral home, which Alice is against because ye gods that house is evil, but everybody else is for. Alice goes back to Archer House to find out what’s going on, hampered once more by Ethan at the request of her brother, Carter, and finds it’s not as deserted as she thought it was. As the house fills up again with nefarious parapsychologists, desperate TV reporters, her brother Carter and the flaky gallery chick he’s falling for (name’s Nadine), and the ever-present Ethan, trouble ensues. Also ghosts.
Nadine (from Faking It) is now a thirty-something gallery manager, running the Goodnight Gallery by day and painting furniture and canvases by night. When a stranger named Carter shows up at the Gallery looking for a room to rent and a place to show his drawings, Nadine is suspicious. Good call, Nadine: Carter investigates art fraud for the FBI, and the Goodnight Gallery has been flagged by some senator’s wife named Clea. Nadine knows something’s up and the family will lose everything unless she does some fast thinking and even faster theft. Unfortunately, her best friend and partner-in-crime, Ethan, is off on some wild ghost chase with some woman who thinks she can talk to ghosts, so Nadine’s going to have juggle forgeries, her family (remember them?) and Carter if she’s going to save the day. (OF COURSE, she’s going to save the day). Discovery Draft of first three scenes
This is the start of a companion novella to “Hot Toy,” a Christmas novella I wrote several years ago. I started it because I really loved the heroine’s sister from “Hot Toy.” It’s resting at the moment . . . .
An homage to Golden Age mysteries, You Again is the story of how Zelda Banks gets bamboozled into spending Christmas week in a snowbound house full of ruthless people jockeying for money, power, sex, and chocolate covered cherries. The population includes Scylla, Zelda’s reality-challenged foster sister; Rose, Zelda’s manipulative godmother who’s up to no good, James, the boy she had a crush on seventeen years ago, and James’ extended family, most of them fairly horrible people. Rose has invited a medium named Isolde to hold a seance because what this family needs is someone digging up their past, and she’s brought a teenager named Alice who can talk to the dead, which comes in handy as the family starts dropping like flies. Food, sex, death, dogs, ghosts, and Christmas carols, Zelda has it all and wants none of it. Well, Scylla can stay. And the dog. And maybe James. And the chocolate-covered cherries, but that’s it.
The Liz Danger Mystery Series
Liz Danger ran away from her hometown of Birney at eighteen and never went back. Now thirty-three, she’s a ghostwriter trying to get to Chicago to finish the autobiography of her current client, the five-times-married-to-famous-men Anemone Patterson. But on the way she gets stranded in Birney and has to face all the things she ran away from. Trouble ensues.
- Lavender’s Blue ~ Liz’s car breaks down on the highway outside Birney and she’s sucked back into the town’s dysfunctional social life, including a wedding where the bride is marrying Liz’s first love and a family dispute that brings up a lot more ugly than Liz is ready for. One plus: the new cop in town, the only thing there that doesn’t have a lot of bad memories attached to him. Vince is a former big city cop, and he really likes Birney: nobody’s been murdered there since 1954. And then . . .
- Rest in Pink ~ Anemone finally buckles down to help Liz finish that autobiography, but she likes Birney, so Liz is still stuck in her hometown. Then somebody decides that Anemone’s past should stay buried and tries to bury her along with it. Liz draws the line at somebody taking pot shots at her clients, so she’s back at work thwarting another killer. Good thing she’s dating a cop.
- Peaches and Screams ~ Anemone decides to write a romance novel and that Liz will write it for her in Birney, which means Liz is stuck again. Plus it’s county-fair time, so Liz is trying to help one of her pals with a pie contest while dealing with a cop who’s making faint noises about commitment, the last thing Liz wants. Then a rival ghostwriter shows up to cause trouble, which ensues, and shortly after that there’s another dead body.
- Yellow Brick Roadkill ~ Liz’s best friend Molly is directing Birney High’s production of The Wiz and sends out a call for help. Liz thought that meant just helping with the tech, but it turns out that the Wicked Witch of the East isn’t the only one to get a house dropped on her. As Vince says, “Birney goes seventy-four years without a murder and then you show up.”