Thank god, the math is over.
Escalation is pretty simple: the stakes get higher in each section between the turning points of the act. So checking for escalation is just making sure the stakes increase at each turning point.. Easy
Unless you’re an idiot who lets huge plot points drop so your protagonist can go shopping.
Let’s look at how this truck draft escalates while I berate myself throughout this post.
In any long-running series, no matter what the medium, writers come up against the same conundrum: People want the same but different.
They want the same things that have made them love the story over the course of several films/years/books, they don’t want anything they love to go away (SAVE BEAR!).
But at the same time, everything they love about the story is the reason it’s starting to feel shopworn: we’ve been here before. “Didn’t they do that in Season Two?” “I love X, but if she says/does Y one more time . . .” “Really? Another number of the week to save?” Continue reading
Apologies for this being late. For some reason, I set it to post tomorrow.
Today we’re watching “Firewall” by Greg Plageman & Jonathan Nolan; “The Contingency, by Denise The & Jonathan Nolan; and “Bad Code” by Greg Plageman & Patrick Harbinson to talk about the Climax as Turning Point (Things Get Worse).
So, as promised, here are the handouts and notes from the two lectures I gave today. (For the record, I wore make-up and underwear, but drew the line at pantyhose and heels. I felt that was a fair compromise.)