For somebody who hates to describe things in her writing, I’m a big fan of setting. I think of setting as another character, as context that changes the conflict in a scene, as barriers and enablers, as a huge carrier of theme, so I keep Pinterest boards of pictures I find that evoke setting in the same way that I keep pictures of people that evoke character. That is, just as I’ll have multiple placeholders for a single character because I’m trying to evoke a mood/personality instead of the way somebody actually looks, I’ll have multiple pictures of different places to represent the same setting because I want to evoke what it feels like to be there.
Which brings us to hostile architecture.
The first time I wrote Button’s scene, I wrote it in Nita’s PoV. But Button has a big role to play in this book, and I need her PoV, plus Nita’s PoV was just more drunk Nita learning things. The second time I wrote Button’s scene, I wrote it in her PoV, but it was a just-get-it-down-on-paper version. That’s the one some of you read. This is the third rewrite of Button’s scene, trying to add some layers to her characterization. It’s not gonna be the last rewrite, either. There’s a lot more to Button that I already know about and I’m going to learn a lot more as I move through the book. This is why I always laugh when somebody asks seriously, “How many drafts do you do?” “Oh, two, three thousand . . .” * * * * * * * * * * * * * * * * * Continue reading
So, as promised, here are the handouts and notes from the two lectures I gave today. (For the record, I wore make-up and underwear, but drew the line at pantyhose and heels. I felt that was a fair compromise.)