The opening scene of any story should be (if I’m writing it, your mileage may differ) the transition from the stable world into the unstable. That doesn’t mean that everything is hunky dory at the beginning of the scene, there can be a lot of trouble, but it’s the usual trouble, nothing new, the protagonist’s world is still working the way he or she expects it to. And then Something Happens that turns the stable world into an unstable one. Continue reading
Anybody else remember eight years ago when Obama said, “You’re likable enough, Hillary”? It’s one of the few times I’ve been annoyed with him, but I’m finding myself looking at Nita and thinking the same thing. “You’re likable enough, Nita. But that doesn’t win
voters readers.” Continue reading
When Sherlock debuted several years ago, I was dazzled. I’m still dazzled by a “A Scandal in Belgravia.” Then somebody on here (can’t remember who) said, “Oh, try Elementary,” and I did, and I thought it was fine but it wasn’t Sherlock. Which I’m now thinking is a good thing. I’ve just finished watching all of Elementary in a two-week binge, and I think it’s just as good as the British Holmes and in some ways better. Some of this is, of course, tinged by Season Three of Sherlock because it was terrible, bad enough that I’m not terribly interested in a Season Four. But I’m also coming over to Elementary because seeing all the episodes together emphasized that this show has what Sherlock lacks: characters I care deeply about who change over time. Continue reading
Since we’re starting our Sherlock Binge Watch with “A Study in Pink,” the first episode of the Sherlock series, let’s talk about beginnings.
The beginning of your story is a promise you make to the reader. That means everything in that first scene, especially everything on the first page, sets up all of the rest of the story. Continue reading