Welp, I now have a photo of what my books look like: Continue reading
So about Button . . .
I really had her in there to begin with as a foil*/ficelle** for Nita, but then she shot that demon, and I thought, “Huh. Button has layers, and one of them is homicidal.” Continue reading
I’ve been thinking about romance in general and in Nita’s book in particular. Romance is tricky stuff to write even if both of your lovers are alive, so making one of mine dead complicates things.
But two things in the past month have made me look at it again. One was a comment Elisabeth made, and the other came from watching Galavant again, this time with Krissie. Continue reading
I always panic at the beginning of a book because I look at it and think, There’s just no there here. (I also panic in the middle and at the end, but for different reasons.) It’s just a story about a Girl who isn’t even My Girl yet, and stuff happens but it’s just . . . stuff. There’s no depth, no layering, it’s all surface.
Well, yeah, that’s because it’s the beginning. Continue reading
Anybody else remember eight years ago when Obama said, “You’re likable enough, Hillary”? It’s one of the few times I’ve been annoyed with him, but I’m finding myself looking at Nita and thinking the same thing. “You’re likable enough, Nita. But that doesn’t win
voters readers.” Continue reading
So after staring into space (along with the fifty other things that had to be done this week) and then losing my computer (I had to run after the dogs and I forgot where I dropped it, so I kept searching the living room which wasn’t a help since it was in the guest room), and getting stung on the bottom of my foot by a wasp (don’t ask), I ended up with an ice pack back in bed, thinking about the antagonist.
At that point, I came to two realizations: Continue reading
I was talking with Mollie today, trying to explain what was going on with the book and the reason I can never say when a book will be finished, if ever, and I explained why sitting out in the yard and crocheting today was actually working.
Because I’m having antagonist problems. Continue reading
One of the things a discovery draft discovers is tone (“the general character or attitude of a place, piece of writing”), which is very close to but not the same as mood (“a distinctive emotional quality or character”). So think of them as attitude and emotion, it you will. The tone of Fast Women is fairly dark, the tone of Bet Me is much lighter and snappier, but I think Bet Me is the more emotional book, and I think Faking It is deeper emotionally than either of them, even though the tone is lighter than both of them. The thing is, I can’t plan tone and mood, they just show up and I have to hope they’re in a good relationship with each other even if they’re very different. Continue reading
So I’ve been thinking about pieces and wholes.
So why is this —
“At one AM on the morning of her thirty-third birthday, Detective Nita Dodd walked past two dead bodies and her ex-lover to enter Hell, where she met the Devil.”
–a lousy first sentence?
Because after the first sentence comes the second sentence. Continue reading