I’ve been staying home and writing, but today I had to hit the grocery and the pharmacy and the craft store (skull button) and I was brought up once again by the true horror of the season: Christmas music. The stuff is insidious; I found myself singing along to “Rockin’ Around the Christmas Tree.” I probably looked like one of those animatronic elves, nodding my head mechanically as I searched for a good skull for my Day of the Dead project. Thank god, it wasn’t “Santa Baby.” I listened to four different versions of that sucker while writing “Hot Toy.” Never again. Okay, I’ll listen to the Etta James version because she can do no wrong, but that’s it. Continue reading
My distaste for chapters is well-known, but I always comply. This time I’m thinking maybe not. Nita takes place from Tuesday very early morning to Sunday morning. I was thinking about going with Tuesday, Wednesday, Thursday, Friday, Saturday as headings to break up the book because that would help keep people oriented to the passage of time, especially since it’s a timelock plot (Nick has to become the Devil at midnight on April 2). One problem, “Tuesday” would be 52,000 words. (It’s a long book.). Sunday will be about 2000, so it’ll even up a little, but still, that’s a long first section, over 200 pages. What do you think?
Today is Occult Day, which I was all over because of Nita until I read this quote:
“When you start to notice the mystical, the mystical will start to notice you.” ― Dacha Avelin
So maybe not.
One good thing about finally knowing the whole book, I also know the soundtrack, not just the songs that sound like they belong, but the songs that actually inform the different acts and plot moments. Taken together, they make an odd playlist, but as background music for the book, they’re a help to me for mood and character. They’re basically the aural version of collage, a tool that helps me stay on track with the world and the people in it that I’ve created, not meant to be a work of art. Continue reading
For those of you who want to play and have never read Terry Pratchett’s Hogfather, you’re in for a treat. For those of you who have, let’s wallow. We can talk about belief and commercialization and gift-giving and how really insane bad guys can make a book move like the Hogfather’s sled. And all the other stuff. There’s a movie, too, which I’ve never seen but have somewhere on the DVD. Tis the season, let’s welcome the Hogfather.
We’ll start Dec. 1. That gives us two weeks to reread and/or watch.
We’re heading into heavy holiday season in the US. Good time to hide in a good book. What do you recommend?
Trust Me On This, the ebook version, goes on sale for $1.99 today. If you’re interested to see what putting seven points of view into a short novel does (it makes it colder) this is your chance. It was my last book with Bantam so I experimented and learned that unless I’m writing epics, three is probably a good number for PoVs, which is why The Devil in Nita Dodd has four. I never learn.
Fun Fact: Bantam insisted on putting a dog on the cover, so I insisted on doing a rewrite and putting a dog in the book since there wasn’t one before and I believe in Truth in Advertising.
Krissie e-mailed me this weekend and, among other things, asked me how Nita was going. Just having to sum up for her was extremely helpful, a progress report if you will. And it’s basically: Continue reading
After discussing blurbs all week, it’s time to talk turkey about books.