Act One, Part Seven: The Final Scene Sequence and Transition into Act Two

Here’s the thing about first acts: they’re a bitch to write. They’re loaded with back story and infodump that you have to make into the now of the story, you have to twist your narrative into a pretzel to foreshadow any character you can’t get into a scene, you have to start not only your main conflict but any subplots you’ve got going, and you have to do it all while moving your plot from the beginning where the stability is shattered to the first turning point where things get much, much worse and the story hits a climactic turning point that swings the entire narrative in a new direction.   And you have to do that in 33,000 words or less that are never boring and continually escalate as the stakes rise. Continue reading